Hairy Larry Rocks
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MixRemix On Anonradio - From The Creative Commons Jazz Library - 2024-09-06
jazz.mixremix.cc
1:11:43
Oleg O Kachanko-Fashion Runway
https://www.jamendo.com/album/180884/fashion-runway
CC BY-NC-ND
57:30
In Unexpected Places - Bruce H. McCosar
https://www.jamendo.com/album/52977/in-unexpected-places
CC BY-SA
42:57
Strange Boat, Strange Cargo - Régis V. Gronoff
https://rvgmusic.bandcamp.com/album/strange-boat-strange-cargo
CC BY-NC-SA
1:10:36
Graymic-Selected vol 2
https://www.jamendo.com/album/498638/selected-vol-2
CC BY-NC-ND
34:35
Fortadelis-Unexpected Journey
https://www.jamendo.com/album/178342/unexpected-journey
CC BY-NC-ND
39:15
Tom La Meche-Voyageur
https://www.jamendo.com/album/751/voyageur
CC BY-NC-ND
jazz.mixremix.cc
1:11:43
Oleg O Kachanko-Fashion Runway
https://www.jamendo.com/album/180884/fashion-runway
CC BY-NC-ND
57:30
In Unexpected Places - Bruce H. McCosar
https://www.jamendo.com/album/52977/in-unexpected-places
CC BY-SA
42:57
Strange Boat, Strange Cargo - Régis V. Gronoff
https://rvgmusic.bandcamp.com/album/strange-boat-strange-cargo
CC BY-NC-SA
1:10:36
Graymic-Selected vol 2
https://www.jamendo.com/album/498638/selected-vol-2
CC BY-NC-ND
34:35
Fortadelis-Unexpected Journey
https://www.jamendo.com/album/178342/unexpected-journey
CC BY-NC-ND
39:15
Tom La Meche-Voyageur
https://www.jamendo.com/album/751/voyageur
CC BY-NC-ND
Carsie Blanton writes anthems for a world worth saving.
Folklore read live!
The Working Class hero of magic Pumphut returns!
He will best those that swindle him.
The Working Class hero of magic Pumphut returns!
He will best those that swindle him.
2BR02B is a science fiction short story by Kurt Vonnegut, originally published in the pulp digest magazine Worlds of If Science Fiction, January 1962. The title is pronounced "2 B R naught 2 B" and refers to the telephone number one dials to schedule an assisted suicide with the Federal Bureau of Termination. The
"We got pants last year," Vera whined, "And shoes!"
"You're about to grow out of them," her parent reminded, "We still need to get you new books, pens, replace your backpack..."
Vera slumped, a little guilty about the backpack; it was meant to last her through to college, "Can I still get a new pendant?"
"You're about to grow out of them," her parent reminded, "We still need to get you new books, pens, replace your backpack..."
Vera slumped, a little guilty about the backpack; it was meant to last her through to college, "Can I still get a new pendant?"
Change of Life
by K. Tempest Bradford
It all started because I wanted a pet. All of us younger kids did. But Mom always said that there wasn’t room for any pets cuz there were so many kids. She had a point, I guess. There were nine of us. But then David, my oldest brother, left home when he was only seventeen and a half to join the Peace Corps. Mom cried for three days straight. Dad said it was only because she was going through the Change of Life.
The day after she stopped crying there was a bunny in the living room. No cage, just a bunny. I guess Dad bought him hoping it would cheer Mom up–and it did. She sat on the couch holding the bunny for hours and told us all that we had a new family member: David the bunny. Katherine, my oldest sister, said that Mom named it David out of a sense of displacement or some other big word she liked to use just because she wanted to be a psychologist or a psychiatrist or some kind of person who messes with your head.
I wasn’t impressed. I wanted a dog.
by K. Tempest Bradford
It all started because I wanted a pet. All of us younger kids did. But Mom always said that there wasn’t room for any pets cuz there were so many kids. She had a point, I guess. There were nine of us. But then David, my oldest brother, left home when he was only seventeen and a half to join the Peace Corps. Mom cried for three days straight. Dad said it was only because she was going through the Change of Life.
The day after she stopped crying there was a bunny in the living room. No cage, just a bunny. I guess Dad bought him hoping it would cheer Mom up–and it did. She sat on the couch holding the bunny for hours and told us all that we had a new family member: David the bunny. Katherine, my oldest sister, said that Mom named it David out of a sense of displacement or some other big word she liked to use just because she wanted to be a psychologist or a psychiatrist or some kind of person who messes with your head.
I wasn’t impressed. I wanted a dog.
This is Hairy Larry inviting you to enjoy Something Blue every Saturday night at ten. This week we’re featuring Sunna Gunnlaugs, Anna Greta, ADHD, and Ingi Bjarni. For more about the show visit the Something Blue website at sbblues.com.
‘What do you wish?’ whispered the well.
The girl hesitated. A hundred wishes sprang to her lips: food, shelter, friends. Friends! But there was something sad about the well. She didn’t want it to be sad.
‘Who are you?’
The girl hesitated. A hundred wishes sprang to her lips: food, shelter, friends. Friends! But there was something sad about the well. She didn’t want it to be sad.
‘Who are you?’
DJ Hairy Larry Presents Jazz Writers Big Band Playing “Elegy”
From The Archives Of Something Blue 2024-08-25
Thanks Marty, today we’re going to hear a Big Band play a composition written by an Arkansas jazz educator.
I went to school at ASU with Joseph Curtis. After he graduated he was band director at Hoxie and Trumann. He’s now in Law School in Little Rock.
I think the first time I recorded Joseph was when he was playing in an ASU small group called “Jazztette”. Ron Horton wanted me to take some video of him teaching jazz improvisation and I also recorded their concert. I interviewed Dr. Horton and four of the students and produced a documentary, “Jazztette – Teaching Jazz Improvisation”. They played an original jazz composition by Joseph Curtis called “Baile de Trece”.
I also recorded his band, Bluebeck, at KASU Jazz Thursday and Bebopalooza. I got to sit in with Bluebeck on guitar at the Jazz Thursday show. Gary Gazaway was the headliner at the Bebopalooza show and he invited Joseph Curtis and Ron Horton up to play on their closing songs.
Joseph was in NJHB and he played at our first session on December 29, 2012 as well as on many NJHB shows and albums in 2013 including my senior recital.
Joseph has played with my band Bebop Beatniks frequently and he is featured on the album “Church”. He would livestream with Bebop Beatniks from the Twitch Porch.
He participated in the KASU New Jazz In Jonesboro concerts at the public library. I got to play bass once with his band. He also played at New Jazz In Jonesboro with Ken Carroll and NJHB.
He contributed many of his songs to the Jazz Writers Big Band. I recorded most of their shows and the “Jazz Writers Big Band” album.
His brother Clinton Curtis plays amazing alto sax and I have also recorded him many times but that will have to be for another podcast.
Visit the Something Blue website at sbblues.com for links.
From The Archives Of Something Blue 2024-08-25
Thanks Marty, today we’re going to hear a Big Band play a composition written by an Arkansas jazz educator.
I went to school at ASU with Joseph Curtis. After he graduated he was band director at Hoxie and Trumann. He’s now in Law School in Little Rock.
I think the first time I recorded Joseph was when he was playing in an ASU small group called “Jazztette”. Ron Horton wanted me to take some video of him teaching jazz improvisation and I also recorded their concert. I interviewed Dr. Horton and four of the students and produced a documentary, “Jazztette – Teaching Jazz Improvisation”. They played an original jazz composition by Joseph Curtis called “Baile de Trece”.
I also recorded his band, Bluebeck, at KASU Jazz Thursday and Bebopalooza. I got to sit in with Bluebeck on guitar at the Jazz Thursday show. Gary Gazaway was the headliner at the Bebopalooza show and he invited Joseph Curtis and Ron Horton up to play on their closing songs.
Joseph was in NJHB and he played at our first session on December 29, 2012 as well as on many NJHB shows and albums in 2013 including my senior recital.
Joseph has played with my band Bebop Beatniks frequently and he is featured on the album “Church”. He would livestream with Bebop Beatniks from the Twitch Porch.
He participated in the KASU New Jazz In Jonesboro concerts at the public library. I got to play bass once with his band. He also played at New Jazz In Jonesboro with Ken Carroll and NJHB.
He contributed many of his songs to the Jazz Writers Big Band. I recorded most of their shows and the “Jazz Writers Big Band” album.
His brother Clinton Curtis plays amazing alto sax and I have also recorded him many times but that will have to be for another podcast.
Visit the Something Blue website at sbblues.com for links.
This is Hairy Larry inviting you to enjoy Something Blue every Saturday night at ten. This week we’re featuring George Hinds, The Bottoms Up Blues Gang, Doug Hendrix, and David Dellacroce. For more about the show visit the Something Blue website at sbblues.com.
There is one chord progression so important to jazz that if you master this chord progression, you've essentially unlocked hundreds of jazz standards because it is by far the most common chord progression in all of jazz music, and that is the 2-5-1 chord progression.
So, let's talk everything 2-5-1 chord progressions, exactly what they are, how to use them, and how they work.
So, let's talk everything 2-5-1 chord progressions, exactly what they are, how to use them, and how they work.
Three-Lobed Burning Eye (3LBE) is an online magazine of speculative fiction, bringing you stories of horror, wonder, and the weird. 3LBE launched in 1999, and has published authors Laird Barron, Gemma Files, Kelly Barnhill, Mari Ness, Kristi DeMeester, Gwendolyn Kiste, Cody Goodfellow, Nadia Bulkin, and Kealan Patrick Burke, among others. Each issue features four short stories. Beginning with issue 20, we offer audio readings, ebook formats, and online (responsive) format for mobile devices.
Our publishing schedule is thrice yearly, with a print anthology every other year.
All issues of the magazine are free online. Please consider different ways to support our publication and its authors, by donating and spreading the word. We also offer advertising opportunities.
3LBE Editor-in-Chief: Andrew S. Fuller.
Our publishing schedule is thrice yearly, with a print anthology every other year.
All issues of the magazine are free online. Please consider different ways to support our publication and its authors, by donating and spreading the word. We also offer advertising opportunities.
3LBE Editor-in-Chief: Andrew S. Fuller.
Jazz scales are something everyone talks about. Chances are, you’ve been told that you need to know dozens of scales to play jazz and that these structures hold the keys to unlocking jazz improvisation.
But what you might not realize is that you don’t need to know a million jazz scales to construct a solid jazz solo and that some are more important than others.
So today, we’re going to get into everything you need to know about jazz scales…
But what you might not realize is that you don’t need to know a million jazz scales to construct a solid jazz solo and that some are more important than others.
So today, we’re going to get into everything you need to know about jazz scales…
Story magic is power magic.
The unreal becomes real.
Words and images give form to all that can be imagined.
The unreal becomes real.
Words and images give form to all that can be imagined.
My phone rang and I snapped. I had just got the class’s attention! I finally got them to look up from their screens, ready to explain how many kids had died to get the cobalt for their damned precious phones.
Thanks Marty. Today we’re going to hear a popular TV theme song recorded at the Craighead Forest Bandshell.
I met Doug Hendrix at the bandshell and soon he was performing there. I got to record him several times. He was from Arkansas and living in Jonesboro but he had spent some time in Nashville working as a songwriter. Beside’s being an amazing songwriter he also plays acoustic guitar, fingerpicking like Chet Atkins or Jerry Reed.
On June 3, 2007, we had a fantastic lineup for Sunday In the Park, Doug Hendrix, George Hinds, Angie Owens, and Ronnie Presley, all fine Arkansas musicians and songwriters.
I met Doug Hendrix at the bandshell and soon he was performing there. I got to record him several times. He was from Arkansas and living in Jonesboro but he had spent some time in Nashville working as a songwriter. Beside’s being an amazing songwriter he also plays acoustic guitar, fingerpicking like Chet Atkins or Jerry Reed.
On June 3, 2007, we had a fantastic lineup for Sunday In the Park, Doug Hendrix, George Hinds, Angie Owens, and Ronnie Presley, all fine Arkansas musicians and songwriters.
This is Hairy Larry inviting you to enjoy Something Blue every Saturday night at ten. This week we’re featuring Bob James, Scott McLemore, and Steve Kahn. For more about the show visit the Something Blue website at sbblues.com.
“Sorry, and you’re from the consolidated what?”
“Consolidated union of Mousers, Templekeepers, Ship mascots and housecats. Mostly the latter these days to be honest. We are representing Princess Fluffykins in this matter.”
“Consolidated union of Mousers, Templekeepers, Ship mascots and housecats. Mostly the latter these days to be honest. We are representing Princess Fluffykins in this matter.”
There's a statue of a woman up on the high cliff. Her eyes fixate on the horizon, her face as still as the rock on which she stands. Moss licks at her feet, grass threatening to mount her legs and pull her down. She burns in the summer and freezes in the winter. Rain lashes her, soaking into her cracks. Her gaze is resolute, motionless, icy. She holds a spear in her hands, long and sharp as the day it was carved. Down below, waves crash at the base of cliff. She stands there, isolated and proud.
She has stood there for centuries or more, watching as the water caresses earth and carries it away so slowly. Bit by bit, the cliff shrinks, the edge drawing ever closer to her heavy feet. Someday, she'll have to choose between taking a single step back or falling. I can almost see her shattering into a million pieces at the base of the cliff, the air snapping up her dust. It'll take centuries before erosion reaches her, but I have every faith she'll still be there. She's waiting for something inevitable. I wish I knew what.
She has stood there for centuries or more, watching as the water caresses earth and carries it away so slowly. Bit by bit, the cliff shrinks, the edge drawing ever closer to her heavy feet. Someday, she'll have to choose between taking a single step back or falling. I can almost see her shattering into a million pieces at the base of the cliff, the air snapping up her dust. It'll take centuries before erosion reaches her, but I have every faith she'll still be there. She's waiting for something inevitable. I wish I knew what.
"How much longer?" asked Marcel.
Anika paused to remove several lock picks from her mouth. "It'll be a while yet. I'm only on number sixty-four."
Anika paused to remove several lock picks from her mouth. "It'll be a while yet. I'm only on number sixty-four."